Ragini Todi, from a garland of musical modes (Ragamala) manuscript
Unknown (Indian)
Item type:paintingDate of creation:18th centuryHeight:19.0 cm (7 1/2 in.)Width:15.5 cm (6 1/8 in.)framed: 34.6 × 29.8 cm (13 5/8 × 11 3/4 in.) Technique / Medium:opaque watercolor, ink, and gold on paperSchool:MughalItem location
- Yale University Art Gallery
The Vera M. and John D. MacDonald, B.A. 1927, Collection, Gift of Mrs. John D. MacDonald[Museum inv. no.: 2001.138.54]
Description
From the museum website:
Since music is fundamental to the Ragamala, most compositions contain an allusion to music in the form of instruments played by the figures. In this painting of Ragini Todi, a woman plays a stringed instrument called a veena, the end of which is shaped like the head of a peacock. Her female attendants stand at a distance; they play a pair of clash cymbals known as manjira and a bowed instrument, probably the sarangi. The joyous mood of the painting is reflected in the blossoming lotuses that skirt the lake in the foreground and the flowering plants and animals that sway to the rhythm of the music. The vibrant foliage situates the painting in early spring, when this musical mode is performed.
Iconclass
48CC7521one person playing string instrument (bowed) - CC- out of doors
48CC7522one person playing string instrument (plucked) - CC - out of doors
48CC7524one person playing percussion instrument - CC - out of doors
Instruments [MIMO Code] (notes)
Vina [3708]
Manjira [2478]
Sarangi [3204] (with bow)
RIdIM images

Image URLs
image link 1Notes
India, Mughal dynasty (1526–1857)
RIdIM record id
6198