Hercules driving Avarice from the temple of the muses

Carpi, Ugo da (active 1502-1532)

Peruzzi, Baldassare (1481-1536) (after a work of)


Item type:
print
Date of creation:
ca. 1520-1527
Height:
30.2 cm  (11 7/8 in.)
Width:
23.6 cm  (9 5/16 in.)
Technique / Medium:
chiaroscuro woodcut from two blocks
Place of creation:
Italia

Description

Hercules drives away Avarice, shown as a woman holding a hoard of precious objects, from the temple of the arts. He holds his club above his head ready to strike Avarice as he pushes her forward with his left hand clutching the back of her neck. The traditional protectors of artistic pursuits, Apollo, seated on the left pointing at Hercules with his right hand, and Minerva, wearing her helmet, armor, and carrying a shield and spear, watch from behind Hercules. Seven of the other Muses are visible here. Two are seated on the ground in the foreground and five are standing behind Hercules watching. Euterpe is holding a shawm with the bell pointing up.

Iconclass

94L4
aggressive, unfriendly activities and relationships of Hercules
92D4(+5) )
(story of the) Muses; 'Muse' (Ripa) (+ non-aggressive, friendly or neutral activities and relationships
92B3731
Apollo and the Muses, Apollo Musagetes
92C25
non-aggressive, friendly or neutral activities and relationships of Minerva

Instruments [MIMO Code] (notes)

Shawm [4258]

RIdIM images


Image URLs

image link 1

Bibliographic references

Vasari, Giorgio, and Gaetano Milanesi. Le vite de' più eccellenti pittori, scultori ed architettori (Firenze: G.C. Sansoni, 1906) v. 5, 422.

Schade, Werner. Italienische Farbenholzschnitte des 16. bis 18. Jahrhunderts chiaroscuri (Weimar: Staatliche Kunstsammlungen, 1957) n. 3.

Institut néerlandais (Paris, France), and Carlos van Hasselt. Exposition: Clairs-obscurs, gravures sur bois imprimées en couleurs de 1500 à 1800 provenant de collections hollandaises, Paris, Institut néerlandais, 25 octobre-5 décembre 1965, Rotterdam, Musée Boymans-van Beuningen, 17 décembre-6 février 1965-1966 (Paris: Institut néerlandais, 1965) no. 96.

Graphische Sammlung Albertina, and Konrad Oberhuber. Renaissance in Italien: 16. Jahrhundert. Die Kunst der Graphik 3 (Vienna: Ausstellung, 1966) no. 196.

Frommel, Christoph Luitpold. Baldassare Peruzzi als Maler und Zeichner. Beiheft zum Römischen Jahrbuch für Kunstgeschichte, v. 11 (Wien: A. Schroll, 1968) no. 81.

Trotter, William Henry. Chiaroscuro
woodcuts of the circles of Raphael and Parmigianino: A study on reproductive
graphics (Ph.D. diss., University of North Carolina at Chapel Hill, 1974) 63ff.

Servolini, Luigi. Ugo da Carpi: i chiaroscuri e le altre opere (Firenze: La Nuova Italia, 1977) no. 5.

Carli, Enzo, and Fiorella Sricchia Santoro, eds. L'Arte a Siena sotto i Medici, 1555-1609: Siena, Palazzo Pubblico, 3 maggio-15 settembre: catalogo (Roma: De Luca, 1980) 219–20, no. 82.

Johnson, Jan. "I chiaroscuro di Ugo da Carpi (Ugo da Carpi's Chiaroscuro Woodcuts)", Print Collector (Il conoscitore di stampe) 57-58 (1982) 30-35, no. 5.

Landau, David, and Peter W. Parshall. The Renaissance print, 1470-1550 (New Haven: Yale University Press, 1994) 53f.

Oberhuber, Konrad, and Achim Gnann, eds. Roma e lo stile classico di Raffaello: 1515-1527 (Milano: Electa, 1999) 113, no. 52. ISBN: 9788843568512.

Graf, Dieter and Hermann Mildenberger. Chiaroscuro: italienische Farbholzschnitte der Renaissance und des Barock: Kunstsammlungen zu Weimar, 19.8.2001-21.10.2001, Haus der Kunst, München, 17.10.2002-12.1.2003. Im Blickfeld der Goethezeit 4 (Berlin: G+H-Verlag, 2001) no. 2.

Kahn-Rossi, Manuela. Ugo da Carpi, l'opera incisa: Xilografie e chiaroscuri da Tiziano, Raffaello e Parmigianino (Carpi: Città di Carpi, 2009) 118–19, no 14.

Sricchia Santoro, Fiorella. L'Arte a Siena sotto i Medici, 1555-1609: Siena, Palazzo Pubblico, 3 maggio-15 settembre: catalogo (Roma: De Luca, 1980) no. 82.

Gramaccini, Norberto, and Hans Jakob Meier. Die Kunst der Interpretation: italienische Reproduktionsgrafik 1485-1600 (Berlin: Deutscher Kunstverlag, 2009) no. 193. ISBN: 9783422068728.

Gnann, Achim. In Farbe!: Clair-obscur-Holzschnitte der Renaissance: Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien. Ausstellung der Albertina 503 (Albertina: Hirmer, 2013) 92–93, no. 31. ISBN: 9783777421001.

Barryte, Bernard. Myth, allegory, and faith: The Kirk Edward Long Collection of Mannerist prints (Stanford, CA: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, 2015) 380, cat. 48. ISBN: 9788836630882.

Takahatake, Naoko, et al. The chiaroscuro woodcut in Renaissance Italy (Los Angeles, CA: Los Angeles County Museum of Art; Munich: DelMonico Books/Prestel, 2018) 73-77, no. 9. ISBN: 9783791357393.

Notes

Provenance: Sotheby's, NY, May 4, 2001, lot 14.

RIdIM record id

5470